أثر الصوت في المعنى في شعر محمد القيسي )دراسة دلالية(

Abstract

Based on the new concepts adopted by the contemporaries, poetic compositions took upon itself the study of sound and linguistics to display sound’s impact on meaning, and what carries sound in various forms to indicate meaning. When speaking of sound, poetry breaks away from the realm of reality and enters the realm of imagination, as it opens up different perceptions in the end to the unity between reality and imagination. The Palestinian poet, Mohammad Al-Qaisi, is one who looked at poetry through a different scope. He had a unique poetic experience, so his thoughts and beliefs are unique. Every moment of Al-Qaisi’s life carries its own trends and forms, the depiction of a man whose land is occupied. Therefore we see that Al-Qaisi’s poetic vision takes off from a completely different point of view. He speaks of alienation, exile, the loss of homeland and friends and the uprooting of trees and stones, all in a sound and form that broke the rules of what was already known and familiar. The study attempts to display Al-Qaisi’s vision for sound through his poetic works. His works are a portion of many critical studies, but despite the large quantity of studies which discuss his works, they revolve around a circuit of criticism. The researcher did not find any phonetic or semantic study of his works. This is where this subject was chosen. During the study, the researcher depended on the Poetic Works of Mohammad Al-Qaisi (Version 2, 1999) by the Arab Institute for Research and Publishing, in addition to the book Al-Mughani Al-Juwal (“The Wandering Singer”) (Version 1, 2011) – a study of Mohammad Al-Qaisi’s poetic experience with an editorial and presentation by Mohammad Al-Ameri