Adaptation et figures démoniaques dans Richard III de William Shakespeare et Requiem du roi des roses d’Aya Kanno

Résumé

Adaptation is a process that requires undeniably a cultural transfer that can be
more or less significant depending on the degree and level of the adaptation.
The adapter wants to adapt but also to posses and appropriate the work, to
actualize it through his own cultural view, for instance, we notice this in the
contrast present in the manifestation of demonic figures in Shakespeare’s and
Aya Kanno’s works since the mangaka adapted a classical play of the Elizabe-
than era into a Manga of the contemporary period