Écritures émergentes et revendication d’une identité plurielle Une analyse à partir des racontages de Marcel Kemadjou Njanke

Résumé

In a studied based on new Francophone writing and their impact on the identity of the writer,
the question of interest is about the problem of the language of writing, source of a multiplicity
of different forms interpreted continuously in context. This article would like to examine the
facts exposing the phenomenon of appropriation of French in a precise “genre” from well defined
works of Marcel Kemadjou Njanke: Les femmes mariées mangent déjà le gésier and Les hommes ne
savent plus draguer. To do this, we consecrated it to the study of varieties of morphosyntactic
and semantic order born from the rejection of norm (standard) of the writing language and the
author’s desire to use a language imbued with local colors and capable of exteriorizing the
realities of his environment. So-called emerging writing then becomes the ideal place for a
“tropicalization” of the French language insofar as the manner of saying is a peculiarity for
Africanizing the writing language. “Francophone” writers appropriate it and create a space that
is favorable to them in claiming an identity that aims to be plural.