Tadjer’s Writing between Collective Memory and Protest From history to History

  • Khadidja GHEMRI
  • Abdelouahab DAKHIA

Résumé

The colonial history of Algeria and the struggles for independence hold a central place in Algerian literature, where writers revisit this past in order to grasp its wounds and its enduring legacies. In De ruines et de gloire, Akli Tadjer fully situates his narrative within this dynamic by intertwining fiction with real historical events. Our study seeks to understand how the author mobilizes History to involve his fictional characters in Algeria’s struggles while simultaneously questioning collective memory. It also aims to show how the narrative weaves together individual and national memory to reveal the impact of History on personal destinies. Through this fusion of the real and the fictional, Tadjer conveys a living memory of Algerian resistance, making this past more tangible, accessible, and universal for the reader.

 

Références

RICŒUR, Paul (1994). Lectures trois : Aux frontières de la philosophie. Paris : Éditions du Seuil, Collection « Point ».
— (1995). Histoire et Vérité. Paris : Éditions du Seuil.
TADJER, Akli (2009). Le Porteur de cartable. Alger : Éditions APIC.
— (2024). De ruines et de gloire. Paris : Éditions Les Escales.
VEYNE, Paul (1971). Qu’est-ce que l’histoire ? Éd. Points Histoire.
— (1978). Comment on écrit l’histoire – suivi de : Foucault révolutionne l’histoire. Paris : Éditions du Seuil, Collection points.
Publiée
2026-01-31
Rubrique
Dossier thématique