Rethinking Algerian Identity

The Contribution of Female Voices in 21st Century Algerian Literature

  • Amel MESLI

Résumé

This article examines the place of female voices in 21st-century Algerian literature and their contribution to the reconfiguration of Algerian identity in the extreme contemporary era. It draws on a corpus of female writers from after 2000 who represent a variety of approaches: Maïssa Bey (Bleu, blanc, vert ; Surtout ne te retourne pas), who explores intimate memory and the vulnerability of bodies; Kaouther Adimi (Nos richesses ; Les Petits de décembre), who revisits history and the city through fragmentary writing; Lynda Chouiten (Une valse), who focuses on intimacy and domestic and urban spaces; Samira Negrouche (Traces ; Théorie des coïncidences), whose performative poetry and hybridisation of forms question collective memory; and writers from the diaspora such as Nina Bouraoui (Garçon manqué) and Faïza Guène (Kiffe kiffe demain), who shift Algeria into transnational and diasporic imaginaries.

The article shows how these female voices shift the classic legacies of Algerian identity – national narrative, male heroism, war of liberation – to reveal a fragmented, plural and everyday Algerian identity. He also analyses the formal innovations characteristic of the extreme contemporary, such as polyphony, intimate writing, and the hybridisation of genres (autofiction, testimony, chronicle, letters, poetry), which allow us to explore bodies, emotions and social spaces as places where the collective is redefined. Finally, it examines how these texts shift Algeria beyond its physical borders, constructing a dynamic and plural Algerian identity, traversed by languages, memories, filiations, and feminist solidarities

Biographie de l'auteur

Amel MESLI

Auteur correspondant, École supérieure de Management, Tlemcen (Algérie)

Références

ADIMI, Kaouther (2017). Nos richesses.Éditions du Seuil.
— (2019). Les Petits de décembre. Éditions du Seuil, coll. « Fiction &Cie ».
BEY, Maïssa (2006).Bleu, blanc, vert.Éditions de L’Aube, coll. « Regards croisés ».
— (2005). Surtout ne te retourne pas. Éditions de L’Aube, coll. « L’Aube poche ».
BOURAOUI, Nina (2000). Garçon manqué. Éditions Stock, coll. « La Bleue ».

PAVIS, Patrice (1999, printemps). Le gestus brechtien et ses avatars dans la mise en scène contemporaine. L’Annuaire Théâtral, n° 25. https://www.erudit.org/fr/revues/annuaire/1999-n25-annuaire3671/041380ar.pdf
Publiée
2026-05-18
Rubrique
Dossier thématique